Beethoven: His Spiritual Development (U.Books) J.W.N. Sullivan

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Hardcover

127 pages


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Beethoven: His Spiritual Development (U.Books)  by  J.W.N. Sullivan

Beethoven: His Spiritual Development (U.Books) by J.W.N. Sullivan
| Hardcover | PDF, EPUB, FB2, DjVu, audiobook, mp3, ZIP | 127 pages | ISBN: | 3.43 Mb

Great men, especially creative artists whose work lives after them, engage peoples imagination for centuries. Beethoven, as man and composer, has inspired innumerable books both by his contemporaries and later writers, and it is proof of hisMoreGreat men, especially creative artists whose work lives after them, engage peoples imagination for centuries. Beethoven, as man and composer, has inspired innumerable books both by his contemporaries and later writers, and it is proof of his endlessly fascinating, controversial nature that they all throw a different light on some aspect of his life and work.

Since J.W.N. Sullivan wrote his book in 1927, much new information about Beethoven, his character, his illnesses, and his relationships has come to light, but it is still a valid contribution to the literature on the composer. Sullivans basic theory is that Beethovens greatness lies in his extraordinary perceptions, his heightened experiences and states of consciousness, and his ability to organize and synthesize these into a musical expression of a view of life.

He asserts that Beethovens initial despairing, then defiant struggle against his suffering--especially his deafness and resulting isolation--gives his middle-period works their heroism, and that his ultimate acceptance of it as necessary to his creativity marks the peak of his spirituality and gives his latest works their unparalleled sublimity. Like many biographies, the book reveals more about the author than the subject.

Sullivan, who is not a musician, offers some interesting, if sometimes extravagantly extramusical, analyses of Beethovens works (though elsewhere he decries injecting meaning into music). He sees Beethovens late fugues as outbursts of blind and desperate energy, another battle with hostile fate- many musicians see them as another battle with counterpoint.

He also makes subjective, high-handed value judgments: he detests Wagner and dismisses Bach as too religious, while Haydn and Mozart are too shallow to equal Beethovens struggle-generated spirituality. The book also brings up questions about beauty and greatness in art, the relationship between moral character and genius, and the impact of a mans personal experiences upon his creativity--all age-old but forever timely. --Edith Eisler



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